The latest from “Transit” director Christian Petzold, “Afire” picked up the Berlinale’s runner-up Silver Bear Grand Jury prize this year. The plot? Erm, how about a rundown of the stunts instead? Cruise rides a motorbike off a cliff, there’s a sequence on a train, a car chase in Rome, and the effort to capture as much of it in camera results in what is sure to be among the summer’s most dazzling spectacles. ![]() “Barbie,” but the actual dust-up seems to be between Tom Cruise and Universal over the availability of premium screens for “Dead Reckoning Part One” once Christopher Nolan’s epic is released on July 21. Heading into the summer, it was thought the great box-office showdown would be “Oppenheimer” v. “Mission: Impossible – Dead Reckoning Part One” (July 12).Caryn James (The Hollywood Reporter) calls it “an exquisitely made chamber piece” and “a small delight.” “The Lesson” arrives in theaters fresh off a well-reviewed premiere at the Tribeca Film Festival. Grant) gloomy countryside estate and discovers a web of mystery and deceit beneath the facade. Lovia Gyarkye (The Hollywood Reporter) calls it “a melancholic story transformed into a precious portrait by the director’s generous and nurturing eye.”Īn Oxford graduate ( Daryl McCormack) arrives at his literary hero’s ( Richard E. “Earth Mama” is one of several Sundance 2023 titles making its way to general audiences this month. The film’s desaturated palette and ethereal imagery recall “Blue Bayou,” another piece of social commentary with spiritual undertones. The opportunity to watch them bounce off each other is definitely this lo-fi sci-fi comedy’s selling point, but it also boasts some great-looking production design and, according to Rachel West (That Shelf), a story that is “shockingly tender, funny, intelligent, and complex.”Ī single mom ( Tia Nomore) tries to regain custody of her two children from the state while pregnant with a third. Brown is always compelling on screen, and Duplass is an extremely interesting storyteller. Brown and Mark Duplass) work together in a fallout shelter to ensure humanity’s survival after an apocalyptic event. Marisa Mirabal (IndieWire) calls “Joy Ride” “golden standard for progressive, raunchy comedy and the need for more diverse stories being told on screen.” “Joy Ride,” which stars “Everything Everywhere All at Once” Best Supporting Actress nominee Stephanie Hsu and premiered to positive reviews at the 2023 South by Southwest Film & TV Festival, follows a Korean-American adoptee’s ( Ashley Park) journey through Asia with three friends ( Sherry Cola, Sabrina Wu and Hsu) to find her birth mother. “In the lead-up to the release of, backlot chieftains at competing studios are actively rooting for the film’s success if for no other reason than to prime consumer behavior, effectively retraining them to enjoy the unique pleasures of bawdy comedy,” Chris Lee (Vulture) wrote back in June. This SXSW premiere is part of a summer-wide effort to once again make adult comedies a force at the box office. Rose Byrne and Ty Simpkins reprise their roles, while “Succession’s” Hiam Abbass appears for the first time. Has Patrick Wilson crafted a stylistic counterpart to James Wan’s first two films or taken the series in a new direction? A reliable fanbase and a small overhead have made “Insidious” consistently profitable. Like “Creed III,” the latest “Insidious” entry marks the directorial debut of a star who’s been instrumental to the franchise in front of the camera. Image Credit: Boris Martin/Sony Pictures Entertainment Read ahead to assess the field and plan your July viewing schedule! Those not as sentimentally dispositioned can still expect a clearer picture of the awards race by the month’s end – and not only insofar as “Oppenheimer” and “Barbie” are concerned, as an import from a German auteur overdue for recognition at the Oscars might jumpstart the International Feature conversation. Regardless of its cume, July 21-23 will hold a special place in the hearts of many a cinephile for years to come. It’s hard keeping all of Tom Cruise ’s legacy action franchises straight when every day is simply a struggle not to combust with anticipation for the following weekend’s double-feature. ![]() The box office will be kept afloat by June holdovers “Across the Spider-Verse” and “Indiana Jones and the Dial of Destiny” until “Mission: Impossible – Dead Reckoning Part One” takes things up to Mach 10 – or have we confused references? What July lacks in quantity it compensates for with three of the year’s most anticipated films, plus another stab at restoring the hallowed R-rated comedy to its former glory and a Sundance horror breakout from A24, both of which could reap major returns on investment.
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